Embroidery animation

Taking a sequence of frames, each made as an embroidery design, is a challenging way to make animation. Rather than an animation of the embroidery process, these artists add life to embroidered fabrics.

Here are some examples:

Alexis Sugden has several humorous shorts including animated cats and racoons. This is one of them:

Embroidery animations Alexis Sugden [Instagram]


Minha Yoo made this running horse design that reaches back to the origins of motion pictures with a jockey riding a horse

A running horse embroidery by Minha Yoo [Instagram]


Miracle de Mille (Pauline and César Chevalier) collaborate on a variety of art projects including these animated fabrics.

Delightful Animated Fabrics by Miracle de Mille [Instagram]


Huw Messie has created several bizarre machines using animated embroidery

Bizarre Fabrications Series by Huw Messie huwmessie.com [Instagram]


This is a reflexive embroidery animation. An embroidery animation made of a person making embroidery.

By Phil Archer

The Wild Robot (2024)

a reel of film

A helpful robot needs to have a purpose. Roz wakes up on the shore of an island with no one to ask for her help.

The beautiful graphics of The Wild Robot are appealing. Even in the trailers, the art design elements of the film are evident. The story shows Roz developing in her relationship with the island’s wildlife. Her initial attempts to be useful end up catastrophically and cause all of the animals to fear her. Eventually Roz learns how to communicate with the animals and they interact with less conflict.

The corporation which sent the robot presents a utopian vision of life in the future. They have shiny mockups of robots and corporate cities in their marketing materials. They resemble futuristic designs by Disney from the 60s. They offer perfect robots to do everyone’s work and liberate citizens. It was interesting the how the Universal Dynamics marketing videos in The Wild Robot have a similar cadence and tone to the corporate messages from Buy n Large in the animated film Wall-E.

When the city was disrupted by “contamination” by wildlife, the robots react violently. They override their purpose of enhancing the city and start damaging it to defend their (presented as) idyllic synthetic environment.

There are some pointed moments in the film such as the scenes that show the Golden Gate Bridge. The explanation for an extreme winter is also left unstated. The wildlife on the island seems to be healthy and Roz helps them thrive. The baby opossums are pretty funny when they meet Roz.

The movie is unusual in that the title screen occurred at the end of the film. The openings of DreamWorks films show the studio’s logo of a boy fishing off the crescent moon. Here, the animation leading up to that logo included vignettes alluding to other DreamWorks films before resolving to the logo.

The Wild Robot is very violent. When it is amongst anthropomorphized animals, it doesn’t seem to hit as hard. However, the interactions with Universal Dynamics always devolve to extreme violence, causing explosions and fires, firing guns at the animals with one animal’s death all but shown in an especially intense moment of conflict. Roz is defiant in her relationship to Universal Dynamics and titles herself a Wild Robot when they try to retrieve her. It’s always a source of tension when she uses the module to help them retrieve her.

The Wild Robot is definitely a movie worth watching.

Wish (2023): A Disney Love Letter

The movie Wish (2023) stars the voice actors Ariana DeBose (the protagonist, Asha), Chris Pine (King Magnifico) and Angelique Cabral (the wife of Magnifico, Queen Amaya). One interpretation of the film is that it is a love letter from Disney creators to the “Spirit of Disney.” This message starts with the normal Disney Castle opening animation that reports that the film is part of the celebration of the Disney 100th anniversary. It is daunting to hide a subnarrative about the entire Disney project hidden in what the studio hopes will be an appealing story. 

A 100th anniversary cupcake

Wish is a fairy tale that was thrown together haphazardly. Eventually it becomes a stock story of good vs. evil. However, it starts sunny with a song introducing the island where the story takes place. From Asha’s song “Welcome to Rosas,” Rosas is described as a very happy, successful and safe kingdom. This song seems an uncanny clone of the introductory song “The Family Madrigal” from Encanto (2021). Further aspects of a Disney fairy tale that are obligatory are added as the story progresses: talking animals, a wizard, a hidden secret, and a supernatural force that shakes things up.

The movie opens its centenary theme with the 100th birthday of Asha’s grandfather. As the film progresses, one might notice details that resemble types from classic Disney films. Seven characters reprising the personalities of Snow White’s dwarves, dancing animals, a seemingly perfect society, a chase through the forest, and a powerful wizard. The tension between providing homage to the old cliches vs. having an original story was too much. I started to waste more effort noticing what a scene alludes to rather than appreciating the story for itself. That tension made the film appear derivative rather than creative.

In Disney films, there isn’t much doubt that a wizard is not going to be commendable for long. Here, instead, his wife is ambiguous. What is her culpability in Magnifico’s activities? Is she redeemed in the end? Does she even need to be redeemed? Her character is one of the more difficult to suss out. For much of the story, she is a passive side character until she is needed for more forceful action. She doesn’t really fit in a morality play about good and evil. Ambiguous characters in Disney films don’t need as much thought. However, I might just be infected by Star Wars’ proposition: the dichotomy between the dark side and light side is sufficient to analyze a character. Magnifico’s character certainly fits the light side/dark side character arc. It’s even made explicit in one scene. But if I’m trapped in that Lucas Simplification, a morally complex character like Queen Amaya just does not compute.

The credits of the movie are clever. Through them, you’re invited to play a game of identifying other Disney animated films. Twinkling starts form constellations in margin of credits roll. (One would wish on them?) Each constellation resolves into characters from other Disney animated movies. The audience could compete to recognize the characters and their film. This playfulness in the credits expands on the joy of 100 years of Disney. The very, very end of the credits is meaningful both as the love letter’s completion and the consummation of one final character’s wish.

Impression: Beauty and the Beast (1991)

Thought bubble
The local AMC theater has been playing old movies for a few weekend showings. They have a couple different classics each week. That’s how I saw the original How to Train Your Dragon.

This afternoon I went to see the 1991 Disney Beauty and the Beast. They had it on twice today and the 2PM showing fit my schedule. I was the only one in the theater.

I don’t understand the economics of a movie theater. Much of their cash flow comes from concessions. They probably get money for the trailers that the show. They also have revenue from advertisers. Tickets haven’t been a substantial source of income for the movies I go to. Usually there are four or fewer in the audience. Is the fee for advertising prorated for the size of the audience?

In first run movies, the tickets are a big deal. Perhaps they just need to keep the doors open. It lets them make a net profit with the help of big movies while keeping the venue relevant by having a big selection that only few people watch. I usually go in the afternoon. That might give me a distorted perspective on how many are in an evening audience.

Perhaps the older movies are playing on behalf of Disney. It could be market research for their streaming service? Is there a corporate connection between AMC and Disney?

So, Beauty and the Beast was an ok movie. There were several songs. None of them stuck with me after the show. All of the characters were really rough caricatures and I couldn’t really identify with any of them. Of course, here’s not a lot of character development you can do in 84 minutes. I didn’t notice “adult” content that was meant to go over the heads of kids but be meaningful to adults (unless it went over my head too).

With 1991 being the release year, they could use technology to do some of the animation. I don’t think they did much. In the intro, you could see layers move as the perspective shifted on the trees; a good hint that it is cel animation. The characters were drawn primarily with cel techniques. A group of four or five animators were responsible for each character.

There was one place where you could see that they had help from computers. During the dance scene with Belle and the Beast, the stars, windows and chandelier were too complex to do as traditional cel animation. It was most obvious with the changing perspective as the camera went past the chandelier. I think the computer give the animators a starting point.

I noticed that this had a similar structure to the Aladdin that starred Robin Williams. The villain has a sidekick who is loud and obnoxious and is only played for comic relief. The sidekicks are throw away (and annoying) characters. There’s probably other tropesthat both films use.

It was a nice film for the AMCs A-List membership so that my only expense was the travel.

Review: How to Train Your Dragon (2010)

a film reelAs the animated How to Train Your Dragon opens, you enter the colorful world of the Vikings living in their seaside village for generations. Surprisingly, all of the buildings are new. As the story unfolds, you learn why. The Vikings, their village and livestock often get attacked by dragon hordes that carry away the animals. Dragons, being known for breathing fire, set the village alight during their attacks.

Everyone in the village is devoted to their life by the sea and hunting dragons. However, it’s not long before you meet a youth who doesn’t fit in. Hiccup wants to help in the battles, but his temperament and physique aren’t tailored to the rough Viking life. Although he is an assistant to a blacksmith, he’s barely able to pick up the swords and axes they make. He is notorious for misguided inventions. Despite his reputation, in the opening battle, his catapult throws a net that catches a Night Fury.

Night Furies are rare and terrible dragons so mysterious that the books of dragon lore don’t describe them. When Hiccup finds the Night Fury that his net caught, he wields a knife to kill it. Then Hiccup berates himself when he dropped the knife and couldn’t kill the dragon—it was just as frightened as himself. He became even more demoralized and lost hope that he could ever become a real Viking. He was also confident that he couldn’t handle the shame if other villagers knew he couldn’t kill a dragon, so he kept his charge secret.

Soon, Hiccup was pushed to join the other teenagers in dragon hunter training. At first, he struggles to avoid getting burned during the challenges. He also gets in the way of the his classmates. However, the Night Fury teaches Hiccup many things that no Viking ever knew about dragons.

Hiccup’s life changed. With his inventiveness, he gets to experience the freedom of flying through the sky riding the dragon he befriended. The movie shows exhilarating flights through the clouds and exotic cliffs. During one of their flights, Hiccup and the Night Fury find a truly terrifying dragon. That dragon is destined to be the target of the Vikings’ biggest hunt.

How to Train Your Dragon (2010) is a humorous fantasy that offers a story that will be appreciated by an older audience. The Viking that is different and ostracized by the others finds that he can be useful and valued for his differences.

Spiderman: Into the Spider-Verse.

a movie reel
I really enjoyed Spiderman: Into the Spider-Verse. It was the first movie I ever saw twice in the theater. The second time was fun because I was the only one in the theater.

I’m not a bona fide comic book aficionado by any stretch but I still appreciated the times when the Miles’ thoughts were showing up as literal thought bubbles early on. I also liked that it didn’t take itself too seriously. It was so much fun.

When I was watching the credits and think that the coolest job title was for Michael Dolan as color scientist.

I was looking at buying the movie, also a first that I decided that I wanted a copy of the movie as soon as I saw it. It looks like it takes some care to get access to the special features that are available. Hint, Amazon doesn’t have them. I’ll be streaming it on Vudu.