Author: William Wayne Smith

William Wayne Smithhttp://blog.wwayneb.comI'm a poet, library fan and maker.

The Pristine Forest

Walking through a pristine forest is not possible anymore. Even though I can go anywhere I want, it’s not possible to see this place as it once was. I find paths that are cut through a once-wild understory. Someone was here before me. To the left, I could step over a fallen trunk. On the right, a thornbush flourishes. There’s a bridge over the creek. Its wild water has been trained to stay tame now. The streambed is leveled out and the woods are ready for every season.

I can also travel to a remote railroad bridge. It is barren with a stone underpass cased in graffiti. The names of people, long gone, are sheltered by the tracks passing above. I laugh and imagine that they are buttressing the walls with their ink. Other names are carved into the stone that will last as long as anything.

My mind has its own paths made of persistent memories. They are reinforced by the phantoms of sad dreams and shadows of regret. I demand that my mind can solve its own dilemmas. When their patterns persist, they show me that I carry their burden anyways. They confuse the neural channels with wasteful thoughts and I grudgingly admit that more will follow. Rarely pristine, my memories should help me grow wiser but instead they make me stumble.

I look around my house and see reminders of when I had been free. Mementos fill the shelves. I wonder who I should remember and where they came from. Many are gifts of old friends’ love. I know someone took time to find them yet I’m heedless and don’t notice them as I pass from one room to the next.

There is plenty to see in my neighborhood. When I walk past the church, I see the trees that have grown tall around it. Their refuge has become its own pristine reality. I see how they too are trails that I can follow. I’m not sad about the changes I see and enjoy them as gifts from an unseen caretaker.

This Blog’s Pages

Each New Yorker issue includes a short story. It’s one of the reasons that I like the magazine. Their website also shares an interview with the author about the topic of the story. There is often a podcast with the author reading their story.

I’ve been building a table with links to these resources. In addition to keeping the table current, I am working through the New Yorker archives to extend the index backwards in time. The table is behind the upper right hamburger menu. The list also includes a link to each issue’s landing page.

I have two other pages available right now. One is an index to the “link dumps” from Evil Mad Scientist Laboratories. The links are down the page, below a description of the Evil Mad Scientist’s project. EMSL just released another link dump for April 2023. Their link dumps are a list of cool websites that they find. They are interesting and the archive is worth exploring.

The other page is an index of the movie reviews that I’ve posted here.

So, if you like good short stories, the New Yorker fiction page links to a growing collection.

Review: Looper (2012)

Time travel. What if you went back to disappear? If a Looper is waiting for you, nothing but an appointment with a blunderbuss is your welcome party. Once you’re killed, the looper gets a deposit of silver and another chance while the mob 30 years into the future has solved the sticky problem of where to hide the body.

With the arrival of TK (telekinesis), doped up guys can pick up girls by magically floating a quarter in their hands. The world of a looper is surrounded by mob-run cities and vagrants wandering the countryside hoping to find another meal or fix.

You can escape this dystopia as a looper when you get your golden ticket: taking out yourself when you are sent back with a cache of gold. This closes the loop and gives you 30 years to celebrate your freedom until your irreversible doom when you are sent back. Joe (Joseph Gordon-Levitt) is a looper planning for his escape by caching up his silver.

The consequences of letting a hit go creates an urgent rush by the present day (2034) mob to prevent time travel paradoxes to muddy the world. How much more so if you pass when your loop is being closed. Seth (Paul Dano) lets his old self go (Frank Brennan). Joe is convinced to give Seth up to the wrath of boss Abe (Jeff Daniels) to gruesome results.

Joe’s loop is to be closed, but Joe from the future (Bruce Willis) is determined to prevent his wife thirty years hence from being killed. Joe’s memories fade and become solid as the future gradually is linked with his past.

The film is able to bring the time travel genre to a grimy finish. Time travel, being illegal, is only used by future criminals. Old Seth shows how acts in the present affect his physical body as they are telegraphed to his future body immediately. Seth doesn’t remember that past so that he is surprised by the mutilations that he undergoes as retribution.

Sara (Emily Blunt) is thrown into the time travel maelstrom when her son becomes a target of Joe’s attempt to preemptively fix the future he remembers. Her son Cid (Pierce Gagnon) has TK abilities like his mother. They live on a cane farm that is normally insulated from the big city’s problems. Cid is an angry child that Sara tries to encourage with her love for him.

The technology of Looper is not that advanced although some people have glamorous flying motorcycles. There is a popular drug that the mobsters use. This affects the tenor of the action and the chaos of the addicted characters.

The soundtrack by Nathan Johnson adds to the tension and destruction with a sharp, angular score that drifts the mood into progressively increasing danger and accompanies one through a world that has gone wrong.

The Pond

I remember the odd rectangular pond. It was near the old road down the hill. Looking back, I think it was dug for a construction project years before I was there.

The water was full of algae and I saw a lot of frogs and salamanders there. Sometimes I saw some egg clusters in the Spring. They were a glob of small marbles with a little bit of dark in the center. There were tadpoles sometimes too.

There was a real lake near there. The beach was rocky with only a little sand. They gave swimming lessons in the summer, but I always failed. I couldn’t get over the unpleasant feeling of the water up my nose.

I wonder what the other kids thought of me. We lived far from town and we never went to parties. Or at least I never did. I was too busy reading encyclopedias to go out and play sports or hang out. I was terrified of getting in trouble. I would feel a horrible burning sensation on the back of my neck, so I stayed good.

I didn’t know other places to find salamanders. They were exotic brown amphibians that usually ran away before I could catch them. They had little toes on their feet. I think their legs were more coming from the sides of the bodies instead of below.

I was glad when “mud season” was there. The clay ground near the surface had mud underneath it so that you could squish on the top and water would come up through the cracks. I’ve always liked playing with water.

Our house had a metal roof that was painted green. My bedroom was upstairs so when the rain came, it made a lot of noise. The outside of the house was cedar shakes. The slabs of wood were layered on each other. They changed color as they aged. My parents liked their memory and included them in the Indiana house that was on a hill.

The Vermont house is still there as is the maple tree that hung the swing. It was big when I was little. Now it must be huge.

Cooking

From the red book…

They say I’m a good cook. I try new dishes. Just tell me the ingredients and often I can figure it out. I’m always learning.

Sometimes my mom wasn’t a very good cook when I was little. Sometimes the scrambled eggs had shell fragments. But once I grew up, I have some favorite dishes that she made. Her pot roasts had awesome carrots onions and potatoes. The chuck roast was ready to tear into and I would cover it all with gravy. I always put pepper on top.

We had a beverage we called pond scum. It was a couple different Kool-Aid packets with 7-Up. Usually, it was only for parties. Another dish we had that I loved was “beany goop” which was a casserole with different kinds of beans in it and a breaded topping.

One of my friends says that she has to follow a recipe religiously careful. I’m more flexible. I don’t think I’m a cooking heretic. I just have things I make.

The old kitchen had shiny copper titles on the wall. There was a window over the sink looking out at the field and the mountain behind it. The dinner table was off to the left and we had a lot of family dinners there. I don’t remember much specific besides my insistence that “no singing at the table” was a rule.

I get a little sad when I think of those days. We lived far away. The school bus took us in to school. I sat in the middle on the right. It let me watch the roads go by and I could stay out of the target of the mean kids.

In the winter, snow drifts piled high. I liked playing. We would lob snowballs at the trees. The weather never seemed radical back then. We got rain when we needed it and the snow was not oppressive. For some reason, I don’t remember shoveling snow. We didn’t have a sidewalk—living out in the country, there wasn’t any point.

I remember the snow cones with real snow. We would dribble maple syrup on them. It was nice.

I’m a late bloomer in my cooking. When I was in school, I didn’t cook much. I don’t remember anything to remark on. I was glad that I could eat in the cafeteria. Sometimes I have nightmares that the cafeteria would be out or that I got there too late. My cooking now might be a subconscious wish to never be late.

My First ChatGPT

I dialed into ChatGPT today for the first time. I was pretty happy with my experience. I didn’t intend to bang on my shiny new toy with a mallet but rather use it as something to enhance my life. Thus, I didn’t intend to expose its political biases or trick it into acting foolish, inappropriate, or to provoke controversy.

However, it’s easy to want to probe the boundaries. One thing I did in that vein was to ask for its favorite tongue twister. It gave me one that was pretty easy. It used phrasing that I took to mean that this was a “classic” tongue twister that might be well known. The tool also mentioned that since it was just a language model, it didn’t have a personal preference. (That’s the gist of its disclaimer, not the exact wording.)

Perhaps, going back to my first experiences with Siri, I could wonder whether there were easter eggs hidden in ChatGPT. Siri was obviously programmed to have clever answers to certain stock questions. Why would I admire this tool if it had the same tricks? I would be disappointed rather than impressed if they were there.

After getting used to it, I decided to use it for something useful. I’ve been writing some JavaScript code lately and I wondered whether it could help me learn more about that.

I directed the conversation to JavaScript generator functions and async functions. It gave useful information. For one question, the code it generated didn’t match the explanation. However, the concept’s description was accurate, and the coding error was obvious. When I continued questioning about other features of JavaScript, I opened a tab and used DuckDuckGo to point me to a developer.mozilla.org article to confirm its description. I also got more thoroughly vetted information there.

I used that additional info to direct the conversation further. I also turned to caniuse.com to see whether one language feature was commonly available in different browsers. I was impressed that ChatGPT was explicit on reporting the different versions of ECMAScript involved. That helped identify when certain syntax was added to the language standard. Some of what it explained went over my head. I need to use those features in real code and read the explanations again. Also, it assumed I understood a related feature better than I actually do.

To me ChatGPT is not a toy. It can be played with, certainly. But so can a can of whipped cream. I don’t learn much playing with either. Eventually I’ll knock off the valve or make a mess to clean up. I’d rather learn how to use it efficiently. The language model is not god-like or without flaws. A word processer’s spell checker is not without flaws either, so I learned how to use it efficiently and moved on from there.

When I was done, I tried to capture the discussion by copying the text and pasting it into Word, but the code that it generated didn’t paste properly. The line breaks in the code were lost. Another problem was that I was pasting white text in a document with a white background. When I went to Acrobat Pro and pasted it using the Edit Text tool, the pasted text came out correctly except that the font changed for the code.

If I represent something that ChatGPT does as if it were my own work, that’s simple plagiarism. It might appear to pass when writing a blog post or two, but a professional writer shouldn’t use it as a substitute for his or her own work. Even using it to improve a paragraph needs more effort. I should use my own words instead of mimicking ChatGPT’s robotic syntax.

I asked it to improve three of paragraphs here. It didn’t understand what I was trying to emphasize. One “improvement” was such a mess that I couldn’t use it at all. The other two were far from my normal style–too formal with a stilted vocabulary–and had to be overhauled. Mostly, I used them as an inspiration for further editing.

My attitude can be to treat it more as a thesaurus than as a copywriter-for-hire. You have to know what you’re doing when you use a thesaurus.

Review: Black Panther: Wakanda Forever (2022)

Misunderstood by the wider world, Wakanda is a nation set apart in the Marvel Cinematic Universe. They hide their super-human technology from the rest of the world. In earlier films, they had offered to help the world. However, this offer that was scoffed at due to their feigned poverty and backwardness. Despite their monopoly on technology derived from the precious mineral, Vibranium, this film finds their technological supremacy threatened by a new power.

Black Panther: Wakanda Forever has a struggle between the Wakandan’s and the powerful new antagonist. The new power is willing and able to kill Wakandans and any other enemy while, simultaneously, demanding that their own existence be kept secret. The Wakandan royalty is torn as more of their people are killed. The conflict forces the Queen Ramonda (Angela Bassett) and the technological genius Shuri (Letitia Wright) to choose either mercy and honor or vengeance and destruction. Riri (Dominique Thorne) adds fuel to the fire with her own technological genius.

In the earlier film, Black Panther, Chadwick Boseman was T’Challa, the Black Panther. Since Boseman died in real life while the film was in development, the producers decided to not recast him and instead honor his memory. The Black Panther’s legacy overshadows this film and his memory animates the Wakandan people.

Wakanda’s superiority has also evolved through the mystical influence of the ancestral rulers of Wakanda. They provide guidance to the succession of Black Panthers via visions at crucial moments. When T’Challa’s daughter, Shuri, is faced with the reality of his death, she reacts with anger and regret that she couldn’t save him. She is not willing to participate in the rituals surrounding his passing and her disbelief leads her to deny the ancestor’s influence.

The film has more explicit violence than many other MCU films. The number of people that died in the film set aside some of the conventions in earlier films that limited on-screen violence. Perhaps the violence seems justified because of the depth of conflict in the film. From the beginning where a military research vessel was attacked by an unknown force until the extended battle at sea, death runs through the whole film. Rather than eliding the actual deaths, more fatalities were depicted so that the Wakandan’s might signal virtue by saving some enemies.

I missed several opportunities to see the film in a theatre but finally watched it on Disney+. The story was tense with the civilizations wrangling with each other. It seemed that the antagonist Namor (Tenoch Huerta) had his powers evolve as the film needed additional tricks to keep the story moving forward. The Wakandans also exhibit new technologies as needed. The film posits a dichotomy between honor and vengeance. When given choices, the film offers the question as to whether the Wakandan people or their enemies are more powerful and which are more worthy.

I went to bed early again

I went to bed early again. The rain was coming down and I didn’t want to push through the cold world. Sunny days are long gone. I have been angry for so long.

Why? Earlier the sky was blue. I  saw the trees get colder but their life-force kept them experiencing every day—each as the other.

I am pleased when I see a bird dancing in the sky. What I hope for is that I could take my own flight. I can’t stand for the changes to delay. Anything is going to be better. I need plenty of time and then I could take my own flight. I wait so that I can enjoy the fruits of all of the life around me.

The alarm was raucous today. I have plenty to say but I don’t want to get up. Wait for me please. I’ll be in your arms of love soon.

I write the song in a strange key. My life skips some tones. It lands hard on the remainder. Everything is an opening and even the chorus is open like the sky.

I have colors to paint the story. I choose the ones that are happy. Life is hard because I don’t know how far I must continue. I learn from the book and look at its margins. They point my brush and I let my hand follow.

If only there were a new beginning. I know everyone would see it coming. I can be frozen by a spectral light. I am walking through the corner of the garden. I know I could build a monument that everyone will admire. The trees sound softly now as they sway with their private songs.

I draw hope from deep in my soul. I am looking for yet another morning. Night passes slowly, too slowly, when I have long dreams. But those dreams show me how to live; how to get ready for life again.

My words are hard to say. I wonder why. I have no purpose today. Walking through the yard, I was slipping within my heart. I get disoriented and confused. It is not my fault that I have been sick.

The words everyone has to say are hard for me to hear. I could only understand their secrets if the rain would not hide them. The sun will rise if I wait. It could only push away the dark moments briefly. I walk out and no one sees me. I am not invisible but I just can’t leave any images about the way I live.

They say tomorrow will be cold. I will wear my coat and hat. Perhaps they will remember that the shadow does not have to come back.

Optimal

The principle of optimal hangs heavy over my life.

My purchases should be available for the optimal price. My investments need to have optimal gains. My technology should have the optimal features. If I had children, I would need to be the optimal parent. I should use the optimal services for my needs. On many questions, my strategy needs to be, first, find the optimal.

By searching for optimal solutions to apply to a problem, it implicitly forces me to think about money and other numeric scores. The optimal can make sense when cost is the primary concern. But what is the price of that optimal cost?

An alternative to optimal is good enough.

Good enough doesn’t look for the cheapest article at Amazon but considers how the purchase affects others. It doesn’t ask what the best way is to store and prepare an ingredient when I plan my menu. Good enough lets me find a service that does it well.

Good enough means that I have more freedom to take into account other considerations. Looking for the optimal avoids asking the questions that make me human.

Looking for the optimal seduces me to expect the illusion of perfection.

Review: The Art of Racing in the Rain (2019)

A red race car
Just one more lap. The racer and his Golden Retriever, Enzo, are best friends in The Art of Racing in the Rain. Kevin Costner voices Enzo, who is philosophical and narrates the film. Milo Ventimiglia plays Denny Swift, the racer who has a rough ride. He is a bold and talented driver hoping to join a winning Formula One racing team.

Denny has some steadfast friends who stay with him as he moves through life. They are looking forward to more and more success. Denny has many maxims shared by Enzo such as “a race is never won in the first corner.” Enzo regrets his floppy tongue that prevents him from speaking his wisdom. Despite his silence, he speaks loudly at a crucial moment in the story’s development, eating Denny’s “homework.”

Enzo helps Denny meet Eve when Enzo approaches her enthusiastically. Despite the couple’s love, Eve’s wealthy parents fear for their daughter. They are worried about the danger, travel and unavailability that come with the racing profession.

As I planned to go to the movie, I was apprehensive because I imagined a story with suspense and long race scenes. It turns out that I didn’t see Denny racing as much as I expected. Some racing footage was taken from within Denny’s car and he watched those films to help improve his racing performance. Denny seemed to teach younger drivers as much as he was racing himself. There were many emotional beats through the movie, but not the ones I expected.

The Art of Racing in the Rain is constructed with Denny facing life’s emotional challenges with grace. There’s an undercurrent of conflict between Eve’s parents and Denny. Eve’s parents selfishly think they know what’s best for their granddaughter Zoe. In the middle of the film, there is some plodding storytelling. I realize that after Avengers: Endgame and Captain Marvel, I need to recalibrate my expectations of action to a more earthly plane.

Enzo has tried to learn as much as he can about the art of being human. He is confident that he will return as a human in his next life. Denny’s career is not as glorious as he had hoped, but he keeps showing that he can excel when faced with challenges.

The Art of Racing in the Rain is not a high-speed race. It doesn’t apologize for making the audience to feel sad, but it is not depressing nor a lofty fantasy. The movie doesn’t need to take another lap because it shows what can happen in life after the first corner.